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Click on the Brustic to open the Brush Preset picker, and scroll down to see the default set of brushes. Towards the foot of the list of default brushes you'll find a variety of unusually-shaped brush tips, including brushes shaped like stars and blobs. Click on the picker's menu icon to access other, specialised sets of brushes. You can use the picker's menu to display a thumbnail of the brush stroke, or set it to show the brush tip and name. The numerical value indicates the brush's initial diameter in pixels. You can customise this to suit your requirements. When you select a new set of brushes, you can either replace the existing default set or append the new set to it so you can use both. Making custom brushes is one of the easiest things in the world. Seriously! I don't know why I've read some tutorials that make it out to be this multi-step, intimidating process. Creating your own brushes helps to customize both your artwork and the Photoshop work environment. The Hard Part: "But ... you said this would be easy!!" Technically, yes, but I've found that some people actually reach a little stumbling block when trying to think of what would make a good brush. Well, the short answer is ANYTHING! I've made brushes out of fuzzy leopard slippers, bananas, old trash cans, fabric swatches, dirt ... hundreds of things. It helps to have a scanner and/or a digital camera ... that really opens up your possibilities. Just a quick walk around your house might yield dozens of fun textures you can make brushes out of. But, even if you don't have either of those, you can often snurch some good textures off the internet. Try a google search for marble tile and see what comes up. Sometimes you'll get a nice big image to work with. I'm not condoning stealing someone's art photos to rip a brush off with, but if it's just a sample photo of tile, or fabric, or screen, or whatever, I think it's perfectly fine ... you'll be drastically changing the image in the next steps anyway. The basics of Photoshop are relatively easy to pick up, but can seem a bit of a mystery when you first come to the program, thanks to its somewhat unintuitive interface and lack of simple tutorials. Photoshop is basically made up of four areas: the menu bar, at the top, the toolbar just below it, the toolbox on the left and the palettes on the right. The menu bar and toolbox always stay the same, as they contain the different modes and options that you can choose, but the toolbar changes depending on context. The palettes are there to show the current status of your image, including the history of all the actions you have used and a thumbnail overview of how the 'big picture' currently looks. The problem with many of these applications is that they use pre designed templates which the user pieces together to form logos that really are not that original and sometimes appear a little generic. While these applications allow the user to quickly begin creating graphic designs and logos they often simply do not produce designs that are original and in demand by web design clients. If you take the time to learn adobe Photoshop there will be no limit to the logos and graphic designs you can put together. Although the interface can seem a little overwhelming at first, learning Photoshop is not difficult if you have the right tools and take the time to practice. The other benefit of using Photoshop to fix your old photographs it that you can work in layers. The layers function ensures that you won't waste an hours work with one little mistake. As you work your photograph you can save each new change as a new layer. If you mess up simply delete that layer and try again. Photo restoration requires patience and attention to detail. Only Adobe Photoshop has the tools to do a quality job restoring your old photographs. Learn Photoshop now and start bringing those old photographs to new life. The Caledonian Digital website is user friendly and offers extensive information relating to the services provided, as well as providing recent articles on various aspects of digital photography, and links to sources of hardware, software, and reference material for photo restoration enthusiasts.For additional information on the launch of Caledonian Digital's new hassle free photo restoration and enhancement service contact Charlie Templeton or visit www.caledoniandigital.co.uk. If a print had dust spots caused by a dirty negative, we used Spotone, a photographic paint that was dabbed onto a print with a very fine paint brush to eliminate the unsightly marks. One other tool that was allowed when printing color pictures was changing color balance. This was done by placing filters between the light source of the enlarger and the paper that the image was being printed on. When we moved to scanning negatives and then to shooting digital, we began using Photoshop. This program allows us to do the same things we did in the darkroom. Changes in contrast, dodging and burning and color balance are now done with software. The most controversial tool in Photoshop that we use is the cloning tool. The only accepted use of this tool is to clear dust from the image. We have a zero tolerance policy when it comes to using the cloning tool to change content, and by that we mean removing something that exists in a photo, moving or replicating it or adding to a photo.
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